School of Culture and Creative Arts

Dr Ian Craven

IanC pic
  • Senior Lecturer (Theatre Film and Television Studies)

telephone: 01413306130
email: Ian.Craven@glasgow.ac.uk


Office hours: Tuesday 11-1pm

Research Interests

  • amateur film production
  • interwar cinemas
  • cinema and television in Australia
  • representations of the past in film and television
Jump to: 2012 | 2009 | 2008 | 2001
Number of items: 7.

2012

Shand, R. and Craven, I., (Eds.) (2012) Small-Gauge Storytelling: Discovering the Amateur Fiction Film. Edinburgh University Press, Edinburgh, UK. (In Press)

2009

Craven, I. (2009) Movies on Home Ground: Explorations in Amateur Cinema. Cambridge Scholars Press, Cambridge. ISBN 9781443813440

Goode, I. (2009) Locating the family film: the critics, the competition and the archive. In: Craven, I. (ed.) Movies on Home Ground: Explorations in Amateur Cinema. Cambridge Scholars Press, Cambridge, pp. 182-207. ISBN 1443813443; 9781443813440

Selfe, M. (2009) Putting film on Nottingham’s cultural map: film production and the festival of Britain. In: Craven, I. (ed.) Movies on Home Ground : Explorations in Amateur Cinema. Cambridge Scholars, Newcastle, pp. 130-155. ISBN 9781443813440

Shand, R. (2009) Amateur cinema re-located: localism in fact and fiction. In: Craven, I. (ed.) Movies on Home Ground: Explorations in Amateur Cinema. Cambridge Scholars Publishing , Newcastle upon Tyne , pp. 156-181. ISBN 9781443813440

2008

Craven, I.P. (2008) Southern stars and secret lives: international exchange in Australian television. Journal of Media and Cultural Studies, 22 (1). pp. 51-67. ISSN 1030-4312 (doi:10.1080/10304310701676293)

2001

Craven, I.P. (2001) Australian cinema towards the Millennium. In: Craven , I.P. (ed.) Australian Cinema in the 1990's. Frank Cass, London, UK. ISBN 9780714649740

This list was generated on Fri May 25 22:43:50 2012 BST.

Current co-supervisions

  • Ross Lynchehaun: ‘Hollywood Cinema after 9/11’  
  • Graeme Spurr: ‘Post-Film/Amateur Video: The Diffusion of New Media in UK Cine Clubs’
  • Andy Dougan: ‘Production, Exhibition, Reception: Early Cinema in Scotland 1905-1911’
  • Fraser MacCallum: ‘Representing the Kennedy Assassination: Conspiracy Theory and the American Psyche’

 

Recently completed PhDs

  • Nadine Robinson: ‘Wandering Islands: Filmmaking in the South Pacific’
  • Christopher Buckle: ‘Spatial and Temporal Complexity in ‘War on Terror” Narratives’
  • Ryan Shand: ‘Amateur Cinema: History, Theory, and Genre 1930-80’

External Responsibilities

  • Member, editorial board of the new journal Studies In Australasian Cinema
  • European Vice-President of the International Australian Studies Association