Professor David Hopkins

  • Professor of Art History (History of Art)

telephone: 01413306330
email: David.Hopkins@glasgow.ac.uk

Research interests

Office Hour: Monday 2-3pm

Research Interests

  • Dada and Surrealism (with particular emphasis on Max Ernst and Marcel Duchamp)
  • Post-1945 art and theory (especially aspects of Neo-Dada, Fluxus, Performance Art and 1980s/90s art)
  • Aspects of twentieth century photography, particularly in relation to Surrealism and post-war American photography

 

Supervision

  • Alison Eldridge: 'Photography and Sociology: an exercise in serendipity'
  • Laurence Figgis: 'Surrealism and the uncanny in Walt Disney's Fairytale Cartoons (MPhil)
  • Catriona McAra: 'Re-reading Surrealism Through the Literature of Childhood'
  • Colin Vernall: 'The Policial in Visual Art of the Period Immediately Before and After the End of the Cold War'

Second Supervisor:

  • Kirsten Riley: 'The Semantic Image: Pictorial Semiotics and American Photorealism'
  • Mark Hobbs: 'Representations of Berlin in the 'Stability' Period of the Weimar Republic (1924-30)'
  • Katherine Tubb: 'Marta Astfalck Vietz and Friends: Sexing the City'
  • Rebecca Gordon: 'Replace, Reinstall or Restore: Material Authenticity in Contemporary Art Reconsidered'

Recently Graduated

  • Susannah Thompson: 'Scottish Art Criticism of the 1980s and 1990s'

 

Teaching

  •  MLitt, Art History: Art: Politics: Transgression: 20th-Century Avant-Gardes
  • Theories of the Avant-Garde (MLitt)
  • Readings in Duchamp (MLitt)
  • Photography and Modernism: Readings in 20th-Century Photography 1900-1970 (Junior Honours)
  • Methodology (Junior Honours)

 

 

Additional information

Administration

External Responsibilities

 

Publications

List by: Type | Date

Jump to: 2019 | 2016 | 2014 | 2013 | 2012 | 2010 | 2008 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001 | 2000 | 1999 | 1998 | 1997 | 1995 | 1993 | 1992 | 1991
Number of items: 56.

2019

Hopkins, D. (2019) Childish Things : The Tradition of Surrealism and the Discourse of Childhood. Yale University Press. (Accepted for Publication)

2016

Hopkins, D., (Ed.) (2016) A Companion to Dada and Surrealism. Series: Wiley Blackwell companions to art history. Wiley Blackwell: Chichester. ISBN 9781118476185

Hopkins, D. (2016) Le Surréalisme et la deficience masculine : ‘Nageur Aveugle’ de Max Ernst’. In: Melusine: Le Surréalisme au Japon. L'Age D'Homme: Paris, pp. 71-80. ISBN 9782825145920

Hopkins, D. (2016) New York Dada : from end to beginning. In: Hopkins, D. (ed.) A Companion to Dada and Surrealism. Series: Wiley Blackwell companions to art history (10). John Wiley & Sons, Ltd.: Chichester, pp. 70-89. ISBN 9781118476185

Hopkins, D. (2016) Re-enchantment: surrealist discourses of childhood, hermeticism and the outmoded. In: Hopkins, D. (ed.) A Companion to Dada and Surrealism. Series: Wiley Blackwell companions to art history (10). John Wiley & Sons, Ltd.: Chichester, pp. 270-287. ISBN 9781118476185

2014

Hopkins, D. (2014) Duchamp's metaphysics: dust breeding. In: Hopkins, D. and White, M. (eds.) Virgin Microbe: Essays on Dada. Northwestern University Press: Evanston, IL. ISBN 9780810129399

Hopkins, D. and White, M., (Eds.) (2014) Virgin Microbe: Essays on Dada. Series: AGM studies. Northwestern University Press: Evanston, Ill.. ISBN 9780810129399

Hopkins, D. (2014) Duchamp, Surrealism and ‘Liberty’ : from ‘Dust Breeding’ to Etant donnés. In: Goodyear, A. C. and McManus, J. (eds.) aka Marcel Duchamp : Meditations on the Identities of an Artist. Smithsonian Institution Scholarly Press: Washington DC, pp. 60-74. ISBN 9781935623151

Hopkins, D. (2014) Duchamp, childhood, work and play: the vernissage for first papers of surrealism, New York, 1942. Tate Papers, 2014, 22.

2013

Hopkins, D. (2013) Gift of Labour. In: Corris, M., Joseph-Lester, J. and Kivland, S. (eds.) Transmission Annual : Labour/Work/Action. Artwords: London.

Hopkins, D. (2013) Proto-Dada : the New York connection. In: Brooker, P., Bru, S., Thacker, A. and Weikop, C. (eds.) The Oxford Critical and Cultural History of Modernist Magazines. Oxford University Press: Oxford, pp. 160-179. ISBN 9780199681303

2012

Hopkins, D. (2012) Le domaine de Rrose Selavy : 'elevage de poussiere' et photographie aerienne. In: Dorrian, M. and Pousin, F. (eds.) Vues Aerienne: Seize etudes pour une histoire culturelle. Metis Presses: Geneva, pp. 107-116. ISBN 9782940406401

Hopkins, D. (2012) Selling Dada: 'New York Dada' (1921) and its dialogue with the European Avant-Garde. In: Bru, S., van Nuijs, L., Hjartarson, B., Nicholls, P., Orum, T. and van den Berg, H. (eds.) Regarding the Popular: Modernism, the Avant-Garde and High and Low Culture. De Gruyter: Berlin, pp. 281-292. ISBN 9783110274561

Hopkins, D. (2012) The domain of Rrose Sélavy: dust breeding. In: Dorrian, M. and Pousin, F. (eds.) Vues Aériennes: Seize Etudes pour une Histoire Culturelle. Metispresses: Geneve, France, pp. 107-116. ISBN 9782940406401

2010

Hopkins, D., Bradley, F., Bourgeois, L., Chadwick, H., Gober, R., Hiller, S., Kelley, M., Koons, J., and McCarthy, P. (2010) Childish Things. Fruitmarket Gallery: Edinburgh. ISBN 9780947912949

Hopkins, D. (2010) Childish Things. [Exhibitions]

2008

Hopkins, D. (2008) Male Poetics. In: Mundy, J. (ed.) Duchamp, Man Ray, Picabia. Tate Publishing: London, UK, pp. 76-87. ISBN 9781854377319

Hopkins, D. (2008) Dada's Boys: Masculinity after Duchamp. Yale University Press: New Haven. ISBN 0300108958

2006

Hopkins, D., (Ed.) (2006) Neo-Avant-Garde. Series: Avant-Garde Critical Studies. Rodopi: Amsterdam. ISBN 904202125X

Hopkins, D. (2006) Art and life…and death : Marcel Duchamp, Robert Morris and neo-avant-garde irony. In: Hopkins, D. (ed.) Neo-avant-garde. Series: Avant garde critical studies. Rodopi: Amsterdam. ISBN 904202125X

Hopkins, D. (2006) Dada's Boys: Identity and Play in Contemporary Art. Fruitmarket Gallery: Edinburgh. ISBN 9780947912093

Hopkins, D. (2006) Dada’s Boys :Play and Identity in Contemporary Art. [Exhibitions]

Hopkins, D. (2006) Re-thinking the ‘Duchamp Effect'. In: Jones, A. (ed.) A Companion to Contemporary Art since 1945. Series: Blackwell companions in art history. Blackwell: Oxford. ISBN 1405107944

2005

Hopkins, D. (2005) Prosthetic Gods. Papers of Surrealism, 3, [Book Review]

Hopkins, D. (2005) Sameness and Difference: Duchamp's Editioned Readymades and the Neo Avant-Garde. In: Scheunemann, D. (ed.) Avant Garde/Neo-Avant Garde. Series: Avant-Garde Critical Studies (17). Rodopi: Amsterdam, pp. 91-107. ISBN 978-9042019256

2004

Hopkins, D. (2004) Dada and Surrealism: A Very Short Introduction. Oxford University Press: Oxford. ISBN 978-0192802545

Hopkins, D. (2004) Out of it: Drunkenness and Ethics in Rosier and Weaving. In: Perry, G. (ed.) Difference and Excess in Contemporary Art: the Visibility of Women's Practice. Wiley-Blackwell: Malden, Mass., pp. 22-45. ISBN 1405112026

2003

Hopkins, D. (2003) 'Out of it': drunkenness and ethics in Martha Rosler and Gillian Wearing. Art History, 26(3), pp. 340-363. (doi:10.1111/j.0141-6790.2003.02603002.x)

Hopkins, D. (2003) Anti-Kantian Reflexes: Duchamp's New York Readymades re-examined. In: Foster, S.C. (ed.) The History of Dada: Dada New York: New World for Old. GK Hall & Co, pp. 159-174. ISBN 9780816173563

Hopkins, D. (2003) Anti-aesthetic reflexes : Marcel Duchamp’s readymades and a link to Russian physiological thought. In: Kudriavtseva, S.V. and Makho, O.G. (eds.) XX Century Art: Achievements, Traditions, Innovations = Iskusstvo 20. Veka; Iskusstvo Dvadtsatogo Veka. The State Hermitage Museum: St Petersburg, pp. 233-238. ISBN 5935720434

Hopkins, D. (2003) The Politics of Equivocation: Sherrie Levine, Duchamp's 'Compensation Portrait' and Surrealism in the USA 1942-45. Oxford Art Journal, 26(1), pp. 45-68.

2002

Hopkins, D. (2002) Duchamp and the Art Object: the Readymades and Anti-Aesthetic Reflex. In: Smith, P. and Wilde, C. (eds.) A Companion to Art Theory. Series: Blackwell companions to literature and culture. Blackwell: Oxford, pp. 253-264. ISBN 978-0631207627

Hopkins, D. (2002) What if Warhol cared? Warhol, Photography and Current Art. Art Monthly, 254, pp. 1-5.

Hopkins, D. (2002) Andy Warhol : riflessioni sull’eredita di Weegee / Re-Thinking Warhol : Masculinity and the Legacy of Weegee [feature article]. Tema Celeste,

2001

Hopkins, D. (2001) Surrealism 2001. Art Monthly, 251, pp. 1-5.

Hopkins, D. (2001) Weegee and Warhol: voyeurism, shock and the discourse on criminality. History of Photography, 25(4), pp. 357-367. (doi:10.1080/03087298.2001.10443238)

Hopkins, D. (2001) Crimenes y disastres : Weegee y Warhol /Crimes and disasters : Weegee and Warhol. Exit : imagen y cultura = Exit : image and culture, 1,

Hopkins, D. (2001) Douglas Gordon as Gavin Turk as Andy Warhol as Marcel Duchamp as Sarah Lucas. Two Nine Two: Essays in visual culture, pp. 93-105.

Hopkins, D. (2001) Max Ernst : Pieta. In: Mundy, J. (ed.) Surrealism : Desire Unbound. Tate Publishing: London. ISBN 185437365X

2000

Hopkins, D. (2000) Women behaving badly. Art Monthly,

Hopkins, D. (2000) After Modern Art 1945-2000. Series: Oxford history of art. Oxford University Press: Oxford. ISBN 019284234X

Hopkins, D. (2000) Weegee Re-Viewed. [Exhibitions]

1999

Ades, D., Cox, N., and Hopkins, D. (1999) Marcel Duchamp. Series: World of art. Thames and Hudson: London. ISBN 9780500203224

1998

Hopkins, D. (1998) Men before the mirror: Duchamp, Man Ray and masculinity. Art History, 21(3), pp. 303-323. (doi:10.1111/1467-8365.00112)

Hopkins, D. (1998) A bad lad: another side of Duchamp. Art Monthly,

Hopkins, D. (1998) The complete works of Marcel Duchamp. Burlington Magazine, 140(1142), [Book Review]

Hopkins, D. (1998) Marcel Duchamp and Max Ernst: The Bride Shared. Series: Clarendon studies in the history of art. Clarendon Press: Oxford. ISBN 0198175132

1997

Hopkins, D. (1997) New York Dada 1915-1923. Burlington Magazine, 139(1134), [Book Review]

Hopkins, D. (1997) Pushing Marcel past the post. Art History, 20(1), pp. 157-163. (doi:10.1111/1467-8365.00050) [Book Review]

1995

Hopkins, D. (1995) Plutôt La Vie. Art History, 18(1), pp. 124-129. (doi:10.1111/j.1467-8365.1995.tb00613.x) [Book Review]

1993

Hopkins, D. (1993) Ramon Lull, Miro and surrealism: the link with medieval philosophy. Apollo, 139(382), pp. 391-394.

1992

Hopkins, D. (1992) Hermetic and philosophical themes in Max Ernst’s 'Vox Angelica' and related works. Burlington Magazine, 134, pp. 716-723.

Hopkins, D. (1992) Questioning Dada’s potency: Picabia’s ‘La Sainte Vierge’ and the dialogue with Duchamp. Art History, 15(3), pp. 317-333. (doi:10.1111/j.1467-8365.1992.tb00491.x)

Hopkins, D. (1992) The definitively unfinished Marcel Duchamp. Burlington Magazine, 134(1075), [Book Review]

1991

Hopkins, D. (1991) Max Ernst's 'La toilette de la mariée'. Burlington Magazine, 133, pp. 237-244.

Hopkins, D. (1991) De-essentializing Duchamp/or … Rrose Sélavy: Dada's mutter stripped bare. Art History, 14(2), pp. 274-279. (doi:10.1111/j.1467-8365.1991.tb00436.x) [Book Review]

This list was generated on Fri Mar 24 02:27:38 2017 GMT.
Number of items: 56.

Articles

Hopkins, D. (2014) Duchamp, childhood, work and play: the vernissage for first papers of surrealism, New York, 1942. Tate Papers, 2014, 22.

Hopkins, D. (2003) 'Out of it': drunkenness and ethics in Martha Rosler and Gillian Wearing. Art History, 26(3), pp. 340-363. (doi:10.1111/j.0141-6790.2003.02603002.x)

Hopkins, D. (2003) The Politics of Equivocation: Sherrie Levine, Duchamp's 'Compensation Portrait' and Surrealism in the USA 1942-45. Oxford Art Journal, 26(1), pp. 45-68.

Hopkins, D. (2002) What if Warhol cared? Warhol, Photography and Current Art. Art Monthly, 254, pp. 1-5.

Hopkins, D. (2002) Andy Warhol : riflessioni sull’eredita di Weegee / Re-Thinking Warhol : Masculinity and the Legacy of Weegee [feature article]. Tema Celeste,

Hopkins, D. (2001) Surrealism 2001. Art Monthly, 251, pp. 1-5.

Hopkins, D. (2001) Weegee and Warhol: voyeurism, shock and the discourse on criminality. History of Photography, 25(4), pp. 357-367. (doi:10.1080/03087298.2001.10443238)

Hopkins, D. (2001) Crimenes y disastres : Weegee y Warhol /Crimes and disasters : Weegee and Warhol. Exit : imagen y cultura = Exit : image and culture, 1,

Hopkins, D. (2001) Douglas Gordon as Gavin Turk as Andy Warhol as Marcel Duchamp as Sarah Lucas. Two Nine Two: Essays in visual culture, pp. 93-105.

Hopkins, D. (2000) Women behaving badly. Art Monthly,

Hopkins, D. (1998) Men before the mirror: Duchamp, Man Ray and masculinity. Art History, 21(3), pp. 303-323. (doi:10.1111/1467-8365.00112)

Hopkins, D. (1998) A bad lad: another side of Duchamp. Art Monthly,

Hopkins, D. (1993) Ramon Lull, Miro and surrealism: the link with medieval philosophy. Apollo, 139(382), pp. 391-394.

Hopkins, D. (1992) Hermetic and philosophical themes in Max Ernst’s 'Vox Angelica' and related works. Burlington Magazine, 134, pp. 716-723.

Hopkins, D. (1992) Questioning Dada’s potency: Picabia’s ‘La Sainte Vierge’ and the dialogue with Duchamp. Art History, 15(3), pp. 317-333. (doi:10.1111/j.1467-8365.1992.tb00491.x)

Hopkins, D. (1991) Max Ernst's 'La toilette de la mariée'. Burlington Magazine, 133, pp. 237-244.

Books

Hopkins, D. (2019) Childish Things : The Tradition of Surrealism and the Discourse of Childhood. Yale University Press. (Accepted for Publication)

Hopkins, D., Bradley, F., Bourgeois, L., Chadwick, H., Gober, R., Hiller, S., Kelley, M., Koons, J., and McCarthy, P. (2010) Childish Things. Fruitmarket Gallery: Edinburgh. ISBN 9780947912949

Hopkins, D. (2008) Dada's Boys: Masculinity after Duchamp. Yale University Press: New Haven. ISBN 0300108958

Hopkins, D. (2006) Dada's Boys: Identity and Play in Contemporary Art. Fruitmarket Gallery: Edinburgh. ISBN 9780947912093

Hopkins, D. (2004) Dada and Surrealism: A Very Short Introduction. Oxford University Press: Oxford. ISBN 978-0192802545

Hopkins, D. (2000) After Modern Art 1945-2000. Series: Oxford history of art. Oxford University Press: Oxford. ISBN 019284234X

Ades, D., Cox, N., and Hopkins, D. (1999) Marcel Duchamp. Series: World of art. Thames and Hudson: London. ISBN 9780500203224

Hopkins, D. (1998) Marcel Duchamp and Max Ernst: The Bride Shared. Series: Clarendon studies in the history of art. Clarendon Press: Oxford. ISBN 0198175132

Book Sections

Hopkins, D. (2016) Le Surréalisme et la deficience masculine : ‘Nageur Aveugle’ de Max Ernst’. In: Melusine: Le Surréalisme au Japon. L'Age D'Homme: Paris, pp. 71-80. ISBN 9782825145920

Hopkins, D. (2016) New York Dada : from end to beginning. In: Hopkins, D. (ed.) A Companion to Dada and Surrealism. Series: Wiley Blackwell companions to art history (10). John Wiley & Sons, Ltd.: Chichester, pp. 70-89. ISBN 9781118476185

Hopkins, D. (2016) Re-enchantment: surrealist discourses of childhood, hermeticism and the outmoded. In: Hopkins, D. (ed.) A Companion to Dada and Surrealism. Series: Wiley Blackwell companions to art history (10). John Wiley & Sons, Ltd.: Chichester, pp. 270-287. ISBN 9781118476185

Hopkins, D. (2014) Duchamp's metaphysics: dust breeding. In: Hopkins, D. and White, M. (eds.) Virgin Microbe: Essays on Dada. Northwestern University Press: Evanston, IL. ISBN 9780810129399

Hopkins, D. (2014) Duchamp, Surrealism and ‘Liberty’ : from ‘Dust Breeding’ to Etant donnés. In: Goodyear, A. C. and McManus, J. (eds.) aka Marcel Duchamp : Meditations on the Identities of an Artist. Smithsonian Institution Scholarly Press: Washington DC, pp. 60-74. ISBN 9781935623151

Hopkins, D. (2013) Gift of Labour. In: Corris, M., Joseph-Lester, J. and Kivland, S. (eds.) Transmission Annual : Labour/Work/Action. Artwords: London.

Hopkins, D. (2013) Proto-Dada : the New York connection. In: Brooker, P., Bru, S., Thacker, A. and Weikop, C. (eds.) The Oxford Critical and Cultural History of Modernist Magazines. Oxford University Press: Oxford, pp. 160-179. ISBN 9780199681303

Hopkins, D. (2012) Le domaine de Rrose Selavy : 'elevage de poussiere' et photographie aerienne. In: Dorrian, M. and Pousin, F. (eds.) Vues Aerienne: Seize etudes pour une histoire culturelle. Metis Presses: Geneva, pp. 107-116. ISBN 9782940406401

Hopkins, D. (2012) Selling Dada: 'New York Dada' (1921) and its dialogue with the European Avant-Garde. In: Bru, S., van Nuijs, L., Hjartarson, B., Nicholls, P., Orum, T. and van den Berg, H. (eds.) Regarding the Popular: Modernism, the Avant-Garde and High and Low Culture. De Gruyter: Berlin, pp. 281-292. ISBN 9783110274561

Hopkins, D. (2012) The domain of Rrose Sélavy: dust breeding. In: Dorrian, M. and Pousin, F. (eds.) Vues Aériennes: Seize Etudes pour une Histoire Culturelle. Metispresses: Geneve, France, pp. 107-116. ISBN 9782940406401

Hopkins, D. (2008) Male Poetics. In: Mundy, J. (ed.) Duchamp, Man Ray, Picabia. Tate Publishing: London, UK, pp. 76-87. ISBN 9781854377319

Hopkins, D. (2006) Art and life…and death : Marcel Duchamp, Robert Morris and neo-avant-garde irony. In: Hopkins, D. (ed.) Neo-avant-garde. Series: Avant garde critical studies. Rodopi: Amsterdam. ISBN 904202125X

Hopkins, D. (2006) Re-thinking the ‘Duchamp Effect'. In: Jones, A. (ed.) A Companion to Contemporary Art since 1945. Series: Blackwell companions in art history. Blackwell: Oxford. ISBN 1405107944

Hopkins, D. (2005) Sameness and Difference: Duchamp's Editioned Readymades and the Neo Avant-Garde. In: Scheunemann, D. (ed.) Avant Garde/Neo-Avant Garde. Series: Avant-Garde Critical Studies (17). Rodopi: Amsterdam, pp. 91-107. ISBN 978-9042019256

Hopkins, D. (2004) Out of it: Drunkenness and Ethics in Rosier and Weaving. In: Perry, G. (ed.) Difference and Excess in Contemporary Art: the Visibility of Women's Practice. Wiley-Blackwell: Malden, Mass., pp. 22-45. ISBN 1405112026

Hopkins, D. (2003) Anti-Kantian Reflexes: Duchamp's New York Readymades re-examined. In: Foster, S.C. (ed.) The History of Dada: Dada New York: New World for Old. GK Hall & Co, pp. 159-174. ISBN 9780816173563

Hopkins, D. (2003) Anti-aesthetic reflexes : Marcel Duchamp’s readymades and a link to Russian physiological thought. In: Kudriavtseva, S.V. and Makho, O.G. (eds.) XX Century Art: Achievements, Traditions, Innovations = Iskusstvo 20. Veka; Iskusstvo Dvadtsatogo Veka. The State Hermitage Museum: St Petersburg, pp. 233-238. ISBN 5935720434

Hopkins, D. (2002) Duchamp and the Art Object: the Readymades and Anti-Aesthetic Reflex. In: Smith, P. and Wilde, C. (eds.) A Companion to Art Theory. Series: Blackwell companions to literature and culture. Blackwell: Oxford, pp. 253-264. ISBN 978-0631207627

Hopkins, D. (2001) Max Ernst : Pieta. In: Mundy, J. (ed.) Surrealism : Desire Unbound. Tate Publishing: London. ISBN 185437365X

Book Reviews

Hopkins, D. (2005) Prosthetic Gods. Papers of Surrealism, 3, [Book Review]

Hopkins, D. (1998) The complete works of Marcel Duchamp. Burlington Magazine, 140(1142), [Book Review]

Hopkins, D. (1997) New York Dada 1915-1923. Burlington Magazine, 139(1134), [Book Review]

Hopkins, D. (1997) Pushing Marcel past the post. Art History, 20(1), pp. 157-163. (doi:10.1111/1467-8365.00050) [Book Review]

Hopkins, D. (1995) Plutôt La Vie. Art History, 18(1), pp. 124-129. (doi:10.1111/j.1467-8365.1995.tb00613.x) [Book Review]

Hopkins, D. (1992) The definitively unfinished Marcel Duchamp. Burlington Magazine, 134(1075), [Book Review]

Hopkins, D. (1991) De-essentializing Duchamp/or … Rrose Sélavy: Dada's mutter stripped bare. Art History, 14(2), pp. 274-279. (doi:10.1111/j.1467-8365.1991.tb00436.x) [Book Review]

Edited Books

Hopkins, D., (Ed.) (2016) A Companion to Dada and Surrealism. Series: Wiley Blackwell companions to art history. Wiley Blackwell: Chichester. ISBN 9781118476185

Hopkins, D. and White, M., (Eds.) (2014) Virgin Microbe: Essays on Dada. Series: AGM studies. Northwestern University Press: Evanston, Ill.. ISBN 9780810129399

Hopkins, D., (Ed.) (2006) Neo-Avant-Garde. Series: Avant-Garde Critical Studies. Rodopi: Amsterdam. ISBN 904202125X

Exhibitions

Hopkins, D. (2010) Childish Things. [Exhibitions]

Hopkins, D. (2006) Dada’s Boys :Play and Identity in Contemporary Art. [Exhibitions]

Hopkins, D. (2000) Weegee Re-Viewed. [Exhibitions]

This list was generated on Fri Mar 24 02:27:38 2017 GMT.