Professor David Hopkins

  • Professor of Art History (History of Art)

telephone: 01413306330
email: David.Hopkins@glasgow.ac.uk

Research interests

Office Hour: Monday 2-3pm

Research Interests

  • Dada and Surrealism (with particular emphasis on Max Ernst and Marcel Duchamp)
  • Post-1945 art and theory (especially aspects of Neo-Dada, Fluxus, Performance Art and 1980s/90s art)
  • Aspects of twentieth century photography, particularly in relation to Surrealism and post-war American photography

 

Supervision

  • Alison Eldridge: 'Photography and Sociology: an exercise in serendipity'
  • Laurence Figgis: 'Surrealism and the uncanny in Walt Disney's Fairytale Cartoons (MPhil)
  • Catriona McAra: 'Re-reading Surrealism Through the Literature of Childhood'
  • Colin Vernall: 'The Policial in Visual Art of the Period Immediately Before and After the End of the Cold War'

Second Supervisor:

  • Kirsten Riley: 'The Semantic Image: Pictorial Semiotics and American Photorealism'
  • Mark Hobbs: 'Representations of Berlin in the 'Stability' Period of the Weimar Republic (1924-30)'
  • Katherine Tubb: 'Marta Astfalck Vietz and Friends: Sexing the City'
  • Rebecca Gordon: 'Replace, Reinstall or Restore: Material Authenticity in Contemporary Art Reconsidered'

Recently Graduated

  • Susannah Thompson: 'Scottish Art Criticism of the 1980s and 1990s'

 

Teaching

  •  MLitt, Art History: Art: Politics: Transgression: 20th-Century Avant-Gardes
  • Theories of the Avant-Garde (MLitt)
  • Readings in Duchamp (MLitt)
  • Photography and Modernism: Readings in 20th-Century Photography 1900-1970 (Junior Honours)
  • Methodology (Junior Honours)

 

 

Additional information

Administration

External Responsibilities

 

Publications

List by: Type | Date

Jump to: 2016 | 2014 | 2013 | 2012 | 2010 | 2008 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001 | 2000 | 1999 | 1998 | 1997 | 1995 | 1993 | 1992 | 1991
Number of items: 55.

2016

Hopkins, D., (Ed.) (2016) A Companion to Dada and Surrealism. Series: Wiley Blackwell companions to art history. Wiley Blackwell: Chichester. ISBN 9781118476185

Hopkins, D. (2016) Le Surréalisme et la deficience masculine : ‘Nageur Aveugle’ de Max Ernst’. In: Melusine: Le Surréalisme au Japon. L'Age D'Homme: Paris, pp. 71-80. ISBN 9782825145920

Hopkins, D. (2016) New York Dada : from end to beginning. In: Hopkins, D. (ed.) A Companion to Dada and Surrealism. Series: Wiley Blackwell companions to art history (10). John Wiley & Sons, Ltd.: Chichester, pp. 70-89. ISBN 9781118476185

Hopkins, D. (2016) Re-enchantment: surrealist discourses of childhood, hermeticism and the outmoded. In: Hopkins, D. (ed.) A Companion to Dada and Surrealism. Series: Wiley Blackwell companions to art history (10). John Wiley & Sons, Ltd.: Chichester, pp. 270-287. ISBN 9781118476185

2014

Hopkins, D. (2014) Duchamp's metaphysics: dust breeding. In: Hopkins, D. and White, M. (eds.) Virgin Microbe: Essays on Dada. Northwestern University Press: Evanston, IL. ISBN 9780810129399

Hopkins, D. and White, M., (Eds.) (2014) Virgin Microbe: Essays on Dada. Series: AGM studies. Northwestern University Press: Evanston, Ill.. ISBN 9780810129399

Hopkins, D. (2014) Duchamp, Surrealism and ‘Liberty’ : from ‘Dust Breeding’ to Etant donnés. In: Goodyear, A. C. and McManus, J. (eds.) aka Marcel Duchamp : Meditations on the Identities of an Artist. Smithsonian Institution Scholarly Press: Washington DC, pp. 60-74. ISBN 9781935623151

Hopkins, D. (2014) Duchamp, childhood, work and play: the vernissage for first papers of surrealism, New York, 1942. Tate Papers, 2014, 22.

2013

Hopkins, D. (2013) Gift of Labour. In: Corris, M., Joseph-Lester, J. and Kivland, S. (eds.) Transmission Annual : Labour/Work/Action. Artwords: London.

Hopkins, D. (2013) Proto-Dada : the New York connection. In: Brooker, P., Bru, S., Thacker, A. and Weikop, C. (eds.) The Oxford Critical and Cultural History of Modernist Magazines. Oxford University Press: Oxford, pp. 160-179. ISBN 9780199681303

2012

Hopkins, D. (2012) Le domaine de Rrose Selavy : 'elevage de poussiere' et photographie aerienne. In: Dorrian, M. and Pousin, F. (eds.) Vues Aerienne: Seize etudes pour une histoire culturelle. Metis Presses: Geneva, pp. 107-116. ISBN 9782940406401

Hopkins, D. (2012) Selling Dada: 'New York Dada' (1921) and its dialogue with the European Avant-Garde. In: Bru, S., van Nuijs, L., Hjartarson, B., Nicholls, P., Orum, T. and van den Berg, H. (eds.) Regarding the Popular: Modernism, the Avant-Garde and High and Low Culture. De Gruyter: Berlin, pp. 281-292. ISBN 9783110274561

Hopkins, D. (2012) The domain of Rrose Sélavy: dust breeding. In: Dorrian, M. and Pousin, F. (eds.) Vues Aériennes: Seize Etudes pour une Histoire Culturelle. Metispresses: Geneve, France, pp. 107-116. ISBN 9782940406401

2010

Hopkins, D., Bradley, F., Bourgeois, L., Chadwick, H., Gober, R., Hiller, S., Kelley, M., Koons, J., and McCarthy, P. (2010) Childish Things. Fruitmarket Gallery: Edinburgh. ISBN 9780947912949

Hopkins, D. (2010) Childish Things. [Exhibitions]

2008

Hopkins, D. (2008) Male Poetics. In: Mundy, J. (ed.) Duchamp, Man Ray, Picabia. Tate Publishing: London, UK, pp. 76-87. ISBN 9781854377319

Hopkins, D. (2008) Dada's Boys: Masculinity after Duchamp. Yale University Press: New Haven. ISBN 0300108958

2006

Hopkins, D., (Ed.) (2006) Neo-Avant-Garde. Series: Avant-Garde Critical Studies. Rodopi: Amsterdam. ISBN 904202125X

Hopkins, D. (2006) Art and life…and death : Marcel Duchamp, Robert Morris and neo-avant-garde irony. In: Hopkins, D. (ed.) Neo-avant-garde. Series: Avant garde critical studies. Rodopi: Amsterdam. ISBN 904202125X

Hopkins, D. (2006) Dada's Boys: Identity and Play in Contemporary Art. Fruitmarket Gallery: Edinburgh. ISBN 9780947912093

Hopkins, D. (2006) Dada’s Boys :Play and Identity in Contemporary Art. [Exhibitions]

Hopkins, D. (2006) Re-thinking the ‘Duchamp Effect'. In: Jones, A. (ed.) A Companion to Contemporary Art since 1945. Series: Blackwell companions in art history. Blackwell: Oxford. ISBN 1405107944

2005

Hopkins, D. (2005) Prosthetic Gods. Papers of Surrealism, 3, [Book Review]

Hopkins, D. (2005) Sameness and Difference: Duchamp's Editioned Readymades and the Neo Avant-Garde. In: Scheunemann, D. (ed.) Avant Garde/Neo-Avant Garde. Series: Avant-Garde Critical Studies (17). Rodopi: Amsterdam, pp. 91-107. ISBN 978-9042019256

2004

Hopkins, D. (2004) Dada and Surrealism: A Very Short Introduction. Oxford University Press: Oxford. ISBN 978-0192802545

Hopkins, D. (2004) Out of it: Drunkenness and Ethics in Rosier and Weaving. In: Perry, G. (ed.) Difference and Excess in Contemporary Art: the Visibility of Women's Practice. Wiley-Blackwell: Malden, Mass., pp. 22-45. ISBN 1405112026

2003

Hopkins, D. (2003) 'Out of it': drunkenness and ethics in Martha Rosler and Gillian Wearing. Art History, 26(3), pp. 340-363. (doi:10.1111/j.0141-6790.2003.02603002.x)

Hopkins, D. (2003) Anti-Kantian Reflexes: Duchamp's New York Readymades re-examined. In: Foster, S.C. (ed.) The History of Dada: Dada New York: New World for Old. GK Hall & Co, pp. 159-174. ISBN 9780816173563

Hopkins, D. (2003) Anti-aesthetic reflexes : Marcel Duchamp’s readymades and a link to Russian physiological thought. In: Kudriavtseva, S.V. and Makho, O.G. (eds.) XX Century Art: Achievements, Traditions, Innovations = Iskusstvo 20. Veka; Iskusstvo Dvadtsatogo Veka. The State Hermitage Museum: St Petersburg, pp. 233-238. ISBN 5935720434

Hopkins, D. (2003) The Politics of Equivocation: Sherrie Levine, Duchamp's 'Compensation Portrait' and Surrealism in the USA 1942-45. Oxford Art Journal, 26(1), pp. 45-68.

2002

Hopkins, D. (2002) Duchamp and the Art Object: the Readymades and Anti-Aesthetic Reflex. In: Smith, P. and Wilde, C. (eds.) A Companion to Art Theory. Series: Blackwell companions to literature and culture. Blackwell: Oxford, pp. 253-264. ISBN 978-0631207627

Hopkins, D. (2002) What if Warhol cared? Warhol, Photography and Current Art. Art Monthly, 254, pp. 1-5.

Hopkins, D. (2002) Andy Warhol : riflessioni sull’eredita di Weegee / Re-Thinking Warhol : Masculinity and the Legacy of Weegee [feature article]. Tema Celeste,

2001

Hopkins, D. (2001) Surrealism 2001. Art Monthly, 251, pp. 1-5.

Hopkins, D. (2001) Weegee and Warhol: voyeurism, shock and the discourse on criminality. History of Photography, 25(4), pp. 357-367. (doi:10.1080/03087298.2001.10443238)

Hopkins, D. (2001) Crimenes y disastres : Weegee y Warhol /Crimes and disasters : Weegee and Warhol. Exit : imagen y cultura = Exit : image and culture, 1,

Hopkins, D. (2001) Douglas Gordon as Gavin Turk as Andy Warhol as Marcel Duchamp as Sarah Lucas. Two Nine Two: Essays in visual culture, pp. 93-105.

Hopkins, D. (2001) Max Ernst : Pieta. In: Mundy, J. (ed.) Surrealism : Desire Unbound. Tate Publishing: London. ISBN 185437365X

2000

Hopkins, D. (2000) Women behaving badly. Art Monthly,

Hopkins, D. (2000) After Modern Art 1945-2000. Series: Oxford history of art. Oxford University Press: Oxford. ISBN 019284234X

Hopkins, D. (2000) Weegee Re-Viewed. [Exhibitions]

1999

Ades, D., Cox, N., and Hopkins, D. (1999) Marcel Duchamp. Series: World of art. Thames and Hudson: London. ISBN 9780500203224

1998

Hopkins, D. (1998) Men before the mirror: Duchamp, Man Ray and masculinity. Art History, 21(3), pp. 303-323. (doi:10.1111/1467-8365.00112)

Hopkins, D. (1998) A bad lad: another side of Duchamp. Art Monthly,

Hopkins, D. (1998) The complete works of Marcel Duchamp. Burlington Magazine, 140(1142), [Book Review]

Hopkins, D. (1998) Marcel Duchamp and Max Ernst: The Bride Shared. Series: Clarendon studies in the history of art. Clarendon Press: Oxford. ISBN 0198175132

1997

Hopkins, D. (1997) New York Dada 1915-1923. Burlington Magazine, 139(1134), [Book Review]

Hopkins, D. (1997) Pushing Marcel past the post. Art History, 20(1), pp. 157-163. (doi:10.1111/1467-8365.00050) [Book Review]

1995

Hopkins, D. (1995) Plutôt La Vie. Art History, 18(1), pp. 124-129. (doi:10.1111/j.1467-8365.1995.tb00613.x) [Book Review]

1993

Hopkins, D. (1993) Ramon Lull, Miro and surrealism: the link with medieval philosophy. Apollo, 139(382), pp. 391-394.

1992

Hopkins, D. (1992) Hermetic and philosophical themes in Max Ernst’s 'Vox Angelica' and related works. Burlington Magazine, 134, pp. 716-723.

Hopkins, D. (1992) Questioning Dada’s potency: Picabia’s ‘La Sainte Vierge’ and the dialogue with Duchamp. Art History, 15(3), pp. 317-333. (doi:10.1111/j.1467-8365.1992.tb00491.x)

Hopkins, D. (1992) The definitively unfinished Marcel Duchamp. Burlington Magazine, 134(1075), [Book Review]

1991

Hopkins, D. (1991) Max Ernst's 'La toilette de la mariée'. Burlington Magazine, 133, pp. 237-244.

Hopkins, D. (1991) De-essentializing Duchamp/or … Rrose Sélavy: Dada's mutter stripped bare. Art History, 14(2), pp. 274-279. (doi:10.1111/j.1467-8365.1991.tb00436.x) [Book Review]

This list was generated on Thu Sep 29 12:00:34 2016 BST.
Number of items: 55.

Articles

Hopkins, D. (2014) Duchamp, childhood, work and play: the vernissage for first papers of surrealism, New York, 1942. Tate Papers, 2014, 22.

Hopkins, D. (2003) 'Out of it': drunkenness and ethics in Martha Rosler and Gillian Wearing. Art History, 26(3), pp. 340-363. (doi:10.1111/j.0141-6790.2003.02603002.x)

Hopkins, D. (2003) The Politics of Equivocation: Sherrie Levine, Duchamp's 'Compensation Portrait' and Surrealism in the USA 1942-45. Oxford Art Journal, 26(1), pp. 45-68.

Hopkins, D. (2002) What if Warhol cared? Warhol, Photography and Current Art. Art Monthly, 254, pp. 1-5.

Hopkins, D. (2002) Andy Warhol : riflessioni sull’eredita di Weegee / Re-Thinking Warhol : Masculinity and the Legacy of Weegee [feature article]. Tema Celeste,

Hopkins, D. (2001) Surrealism 2001. Art Monthly, 251, pp. 1-5.

Hopkins, D. (2001) Weegee and Warhol: voyeurism, shock and the discourse on criminality. History of Photography, 25(4), pp. 357-367. (doi:10.1080/03087298.2001.10443238)

Hopkins, D. (2001) Crimenes y disastres : Weegee y Warhol /Crimes and disasters : Weegee and Warhol. Exit : imagen y cultura = Exit : image and culture, 1,

Hopkins, D. (2001) Douglas Gordon as Gavin Turk as Andy Warhol as Marcel Duchamp as Sarah Lucas. Two Nine Two: Essays in visual culture, pp. 93-105.

Hopkins, D. (2000) Women behaving badly. Art Monthly,

Hopkins, D. (1998) Men before the mirror: Duchamp, Man Ray and masculinity. Art History, 21(3), pp. 303-323. (doi:10.1111/1467-8365.00112)

Hopkins, D. (1998) A bad lad: another side of Duchamp. Art Monthly,

Hopkins, D. (1993) Ramon Lull, Miro and surrealism: the link with medieval philosophy. Apollo, 139(382), pp. 391-394.

Hopkins, D. (1992) Hermetic and philosophical themes in Max Ernst’s 'Vox Angelica' and related works. Burlington Magazine, 134, pp. 716-723.

Hopkins, D. (1992) Questioning Dada’s potency: Picabia’s ‘La Sainte Vierge’ and the dialogue with Duchamp. Art History, 15(3), pp. 317-333. (doi:10.1111/j.1467-8365.1992.tb00491.x)

Hopkins, D. (1991) Max Ernst's 'La toilette de la mariée'. Burlington Magazine, 133, pp. 237-244.

Books

Hopkins, D., Bradley, F., Bourgeois, L., Chadwick, H., Gober, R., Hiller, S., Kelley, M., Koons, J., and McCarthy, P. (2010) Childish Things. Fruitmarket Gallery: Edinburgh. ISBN 9780947912949

Hopkins, D. (2008) Dada's Boys: Masculinity after Duchamp. Yale University Press: New Haven. ISBN 0300108958

Hopkins, D. (2006) Dada's Boys: Identity and Play in Contemporary Art. Fruitmarket Gallery: Edinburgh. ISBN 9780947912093

Hopkins, D. (2004) Dada and Surrealism: A Very Short Introduction. Oxford University Press: Oxford. ISBN 978-0192802545

Hopkins, D. (2000) After Modern Art 1945-2000. Series: Oxford history of art. Oxford University Press: Oxford. ISBN 019284234X

Ades, D., Cox, N., and Hopkins, D. (1999) Marcel Duchamp. Series: World of art. Thames and Hudson: London. ISBN 9780500203224

Hopkins, D. (1998) Marcel Duchamp and Max Ernst: The Bride Shared. Series: Clarendon studies in the history of art. Clarendon Press: Oxford. ISBN 0198175132

Book Sections

Hopkins, D. (2016) Le Surréalisme et la deficience masculine : ‘Nageur Aveugle’ de Max Ernst’. In: Melusine: Le Surréalisme au Japon. L'Age D'Homme: Paris, pp. 71-80. ISBN 9782825145920

Hopkins, D. (2016) New York Dada : from end to beginning. In: Hopkins, D. (ed.) A Companion to Dada and Surrealism. Series: Wiley Blackwell companions to art history (10). John Wiley & Sons, Ltd.: Chichester, pp. 70-89. ISBN 9781118476185

Hopkins, D. (2016) Re-enchantment: surrealist discourses of childhood, hermeticism and the outmoded. In: Hopkins, D. (ed.) A Companion to Dada and Surrealism. Series: Wiley Blackwell companions to art history (10). John Wiley & Sons, Ltd.: Chichester, pp. 270-287. ISBN 9781118476185

Hopkins, D. (2014) Duchamp's metaphysics: dust breeding. In: Hopkins, D. and White, M. (eds.) Virgin Microbe: Essays on Dada. Northwestern University Press: Evanston, IL. ISBN 9780810129399

Hopkins, D. (2014) Duchamp, Surrealism and ‘Liberty’ : from ‘Dust Breeding’ to Etant donnés. In: Goodyear, A. C. and McManus, J. (eds.) aka Marcel Duchamp : Meditations on the Identities of an Artist. Smithsonian Institution Scholarly Press: Washington DC, pp. 60-74. ISBN 9781935623151

Hopkins, D. (2013) Gift of Labour. In: Corris, M., Joseph-Lester, J. and Kivland, S. (eds.) Transmission Annual : Labour/Work/Action. Artwords: London.

Hopkins, D. (2013) Proto-Dada : the New York connection. In: Brooker, P., Bru, S., Thacker, A. and Weikop, C. (eds.) The Oxford Critical and Cultural History of Modernist Magazines. Oxford University Press: Oxford, pp. 160-179. ISBN 9780199681303

Hopkins, D. (2012) Le domaine de Rrose Selavy : 'elevage de poussiere' et photographie aerienne. In: Dorrian, M. and Pousin, F. (eds.) Vues Aerienne: Seize etudes pour une histoire culturelle. Metis Presses: Geneva, pp. 107-116. ISBN 9782940406401

Hopkins, D. (2012) Selling Dada: 'New York Dada' (1921) and its dialogue with the European Avant-Garde. In: Bru, S., van Nuijs, L., Hjartarson, B., Nicholls, P., Orum, T. and van den Berg, H. (eds.) Regarding the Popular: Modernism, the Avant-Garde and High and Low Culture. De Gruyter: Berlin, pp. 281-292. ISBN 9783110274561

Hopkins, D. (2012) The domain of Rrose Sélavy: dust breeding. In: Dorrian, M. and Pousin, F. (eds.) Vues Aériennes: Seize Etudes pour une Histoire Culturelle. Metispresses: Geneve, France, pp. 107-116. ISBN 9782940406401

Hopkins, D. (2008) Male Poetics. In: Mundy, J. (ed.) Duchamp, Man Ray, Picabia. Tate Publishing: London, UK, pp. 76-87. ISBN 9781854377319

Hopkins, D. (2006) Art and life…and death : Marcel Duchamp, Robert Morris and neo-avant-garde irony. In: Hopkins, D. (ed.) Neo-avant-garde. Series: Avant garde critical studies. Rodopi: Amsterdam. ISBN 904202125X

Hopkins, D. (2006) Re-thinking the ‘Duchamp Effect'. In: Jones, A. (ed.) A Companion to Contemporary Art since 1945. Series: Blackwell companions in art history. Blackwell: Oxford. ISBN 1405107944

Hopkins, D. (2005) Sameness and Difference: Duchamp's Editioned Readymades and the Neo Avant-Garde. In: Scheunemann, D. (ed.) Avant Garde/Neo-Avant Garde. Series: Avant-Garde Critical Studies (17). Rodopi: Amsterdam, pp. 91-107. ISBN 978-9042019256

Hopkins, D. (2004) Out of it: Drunkenness and Ethics in Rosier and Weaving. In: Perry, G. (ed.) Difference and Excess in Contemporary Art: the Visibility of Women's Practice. Wiley-Blackwell: Malden, Mass., pp. 22-45. ISBN 1405112026

Hopkins, D. (2003) Anti-Kantian Reflexes: Duchamp's New York Readymades re-examined. In: Foster, S.C. (ed.) The History of Dada: Dada New York: New World for Old. GK Hall & Co, pp. 159-174. ISBN 9780816173563

Hopkins, D. (2003) Anti-aesthetic reflexes : Marcel Duchamp’s readymades and a link to Russian physiological thought. In: Kudriavtseva, S.V. and Makho, O.G. (eds.) XX Century Art: Achievements, Traditions, Innovations = Iskusstvo 20. Veka; Iskusstvo Dvadtsatogo Veka. The State Hermitage Museum: St Petersburg, pp. 233-238. ISBN 5935720434

Hopkins, D. (2002) Duchamp and the Art Object: the Readymades and Anti-Aesthetic Reflex. In: Smith, P. and Wilde, C. (eds.) A Companion to Art Theory. Series: Blackwell companions to literature and culture. Blackwell: Oxford, pp. 253-264. ISBN 978-0631207627

Hopkins, D. (2001) Max Ernst : Pieta. In: Mundy, J. (ed.) Surrealism : Desire Unbound. Tate Publishing: London. ISBN 185437365X

Book Reviews

Hopkins, D. (2005) Prosthetic Gods. Papers of Surrealism, 3, [Book Review]

Hopkins, D. (1998) The complete works of Marcel Duchamp. Burlington Magazine, 140(1142), [Book Review]

Hopkins, D. (1997) New York Dada 1915-1923. Burlington Magazine, 139(1134), [Book Review]

Hopkins, D. (1997) Pushing Marcel past the post. Art History, 20(1), pp. 157-163. (doi:10.1111/1467-8365.00050) [Book Review]

Hopkins, D. (1995) Plutôt La Vie. Art History, 18(1), pp. 124-129. (doi:10.1111/j.1467-8365.1995.tb00613.x) [Book Review]

Hopkins, D. (1992) The definitively unfinished Marcel Duchamp. Burlington Magazine, 134(1075), [Book Review]

Hopkins, D. (1991) De-essentializing Duchamp/or … Rrose Sélavy: Dada's mutter stripped bare. Art History, 14(2), pp. 274-279. (doi:10.1111/j.1467-8365.1991.tb00436.x) [Book Review]

Edited Books

Hopkins, D., (Ed.) (2016) A Companion to Dada and Surrealism. Series: Wiley Blackwell companions to art history. Wiley Blackwell: Chichester. ISBN 9781118476185

Hopkins, D. and White, M., (Eds.) (2014) Virgin Microbe: Essays on Dada. Series: AGM studies. Northwestern University Press: Evanston, Ill.. ISBN 9780810129399

Hopkins, D., (Ed.) (2006) Neo-Avant-Garde. Series: Avant-Garde Critical Studies. Rodopi: Amsterdam. ISBN 904202125X

Exhibitions

Hopkins, D. (2010) Childish Things. [Exhibitions]

Hopkins, D. (2006) Dada’s Boys :Play and Identity in Contemporary Art. [Exhibitions]

Hopkins, D. (2000) Weegee Re-Viewed. [Exhibitions]

This list was generated on Thu Sep 29 12:00:34 2016 BST.