Professor David Hopkins

  • Professor of Art History (History of Art)

telephone: 01413306330
email: David.Hopkins@glasgow.ac.uk

Research interests

Office Hour: Monday 2-3pm

Research Interests

  • Dada and Surrealism (with particular emphasis on Max Ernst and Marcel Duchamp)
  • Post-1945 art and theory (especially aspects of Neo-Dada, Fluxus, Performance Art and 1980s/90s art)
  • Aspects of twentieth century photography, particularly in relation to Surrealism and post-war American photography

 

Supervision

  • Alison Eldridge: 'Photography and Sociology: an exercise in serendipity'
  • Laurence Figgis: 'Surrealism and the uncanny in Walt Disney's Fairytale Cartoons (MPhil)
  • Catriona McAra: 'Re-reading Surrealism Through the Literature of Childhood'
  • Colin Vernall: 'The Policial in Visual Art of the Period Immediately Before and After the End of the Cold War'

Second Supervisor:

  • Kirsten Riley: 'The Semantic Image: Pictorial Semiotics and American Photorealism'
  • Mark Hobbs: 'Representations of Berlin in the 'Stability' Period of the Weimar Republic (1924-30)'
  • Katherine Tubb: 'Marta Astfalck Vietz and Friends: Sexing the City'
  • Rebecca Gordon: 'Replace, Reinstall or Restore: Material Authenticity in Contemporary Art Reconsidered'

Recently Graduated

  • Susannah Thompson: 'Scottish Art Criticism of the 1980s and 1990s'

 

Teaching

  •  MLitt, Art History: Art: Politics: Transgression: 20th-Century Avant-Gardes
  • Theories of the Avant-Garde (MLitt)
  • Readings in Duchamp (MLitt)
  • Photography and Modernism: Readings in 20th-Century Photography 1900-1970 (Junior Honours)
  • Methodology (Junior Honours)

 

 

Additional information

Administration

External Responsibilities

 

Publications

List by: Type | Date

Jump to: 2014 | 2013 | 2012 | 2010 | 2008 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001
Number of items: 20.

2014

Hopkins, D. (2014) Duchamp's metaphysics: dust breeding. In: Hopkins, D. and White, M. (eds.) Virgin Microbe: Essays on Dada. Northwestern University Press, Evanston, IL. ISBN 9780810129399

2013

Hopkins, D. (2013) Proto-Dada: the New York connection. In: Brooker, P., Bru, S., Thacker, A. and Weikop, C. (eds.) The Oxford Critical and Cultural History of Modernist Magazines Volume III: Europe 1880 - 1940. Oxford University Press, Oxford, UK, pp. 160-179. ISBN 9780199681303

2012

Hopkins, D. (2012) Le domaine de Rrose Selavy : 'elevage de poussiere' et photographie aerienne. In: Dorrian , M. and Pousin, F. (eds.) Vues Aerienne: Seize etudes pour une histoire culturelle. Metis Presses, Geneva, pp. 107-116. ISBN 9782940406401

Hopkins, D. (2012) Selling Dada: 'New York Dada' (1921) and its dialogue with the European Avant-Garde. In: Bru, S., van Nuijs, L., Hjartarson, B., Nicholls, P., Orum, T. and van den Berg, H. (eds.) Regarding the Popular: Modernism, the Avant-Garde and High and Low Culture. De Gruyter, Berlin, pp. 281-292. ISBN 9783110274561

Hopkins, D. (2012) The domain of Rrose Sélavy: dust breeding. In: Dorrian, M. and Pousin, F. (eds.) Vues Aériennes: Seize Etudes pour une Histoire Culturelle. Metispresses, Geneve, France, pp. 107-116. ISBN 9782940406401

2010

Hopkins, D., Bradley, F., Bourgeois, L., Chadwick, H., Gober, R., Hiller, S., Kelley, M., Koons, J., and McCarthy, P. (2010) Childish Things. Fruitmarket Gallery, Edinburgh. ISBN 9780947912949

2008

Hopkins, D. (2008) Male Poetics. In: Mundy, J. (ed.) Duchamp, Man Ray, Picabia. Tate Publishing, London, UK, pp. 76-87. ISBN 9781854377319

Hopkins, D. (2008) Dada's Boys: Masculinity after Duchamp. Yale University Press, New Haven. ISBN 0300108958

2006

Hopkins, D. (2006) Re-thinking the Duchamp Effect. In: Jones, A. (ed.) A Companion to Contemporary Art Since 1945. Blackwell, Malden, Mass., pp. 215-245. ISBN 978-1405135429

Hopkins, D., (Ed.) (2006) Neo-Avant-Garde. Series: Avant-Garde Critical Studies. Rodopi, Amsterdam. ISBN 904202125X

2005

Hopkins, D. (2005) Sameness and Difference: Duchamp's Editioned Readymades and the Neo Avant-Garde. In: Scheunemann, D. (ed.) Avant Garde/Neo-Avant Garde. Series: Avant-Garde Critical Studies (17). Rodopi, Amsterdam, pp. 91-107. ISBN 978-9042019256

2004

Hopkins, D. (2004) Dada and Surrealism: A Very Short Introduction. Oxford University Press, Oxford. ISBN 978-0192802545

Hopkins, D. (2004) Out of it: Drunkenness and Ethics in Rosier and Weaving. In: Perry, G. (ed.) Difference and Excess in Contemporary Art: the Visibility of Women's Practice. Wiley-Blackwell, Malden, Mass., pp. 22-45. ISBN 1405112026

2003

Hopkins, D. (2003) 'Out of it': drunkenness and ethics in Martha Rosler and Gillian Wearing. Art History, 26 (3). pp. 340-363. ISSN 1467-8365 (doi:10.1111/j.0141-6790.2003.02603002.x)

Hopkins, D. (2003) Anti-Kantian Reflexes: Duchamp's New York Readymades re-examined. In: Foster, S.C. (ed.) The History of Dada: Dada New York: New World for Old. GK Hall & Co, pp. 159-174. ISBN 9780816173563

Hopkins, D. (2003) The Politics of Equivocation: Sherrie Levine, Duchamp's 'Compensation Portrait' and Surrealism in the USA 1942-45. Oxford Art Journal, 26 (1). pp. 45-68. ISSN 0142-6540

2002

Hopkins, D. (2002) Duchamp and the Art Object: the Readymades and Anti-Aesthetic Reflex. In: Smith, P. and Wilde, C. (eds.) A Companion to Art Theory. Series: Blackwell companions to literature and culture . Blackwell, Oxford, pp. 253-264. ISBN 978-0631207627

Hopkins, D. (2002) What if Warhol cared? Warhol, Photography and Current Art. Art Monthly, 254 . pp. 1-5. ISSN 0142-6702

2001

Hopkins, D. (2001) Surrealism 2001. Art Monthly, 251 . pp. 1-5. ISSN 0142-6702

Hopkins, D. (2001) Weegee and Warhol: Voyeurism, Shock and the Discourse on Criminality. History of Photography, 25 (4). pp. 357-367. ISSN 0308-7298

This list was generated on Sat Aug 30 12:58:10 2014 BST.
Number of items: 20.

Article

Hopkins, D. (2003) 'Out of it': drunkenness and ethics in Martha Rosler and Gillian Wearing. Art History, 26 (3). pp. 340-363. ISSN 1467-8365 (doi:10.1111/j.0141-6790.2003.02603002.x)

Hopkins, D. (2003) The Politics of Equivocation: Sherrie Levine, Duchamp's 'Compensation Portrait' and Surrealism in the USA 1942-45. Oxford Art Journal, 26 (1). pp. 45-68. ISSN 0142-6540

Hopkins, D. (2002) What if Warhol cared? Warhol, Photography and Current Art. Art Monthly, 254 . pp. 1-5. ISSN 0142-6702

Hopkins, D. (2001) Surrealism 2001. Art Monthly, 251 . pp. 1-5. ISSN 0142-6702

Hopkins, D. (2001) Weegee and Warhol: Voyeurism, Shock and the Discourse on Criminality. History of Photography, 25 (4). pp. 357-367. ISSN 0308-7298

Book

Hopkins, D., Bradley, F., Bourgeois, L., Chadwick, H., Gober, R., Hiller, S., Kelley, M., Koons, J., and McCarthy, P. (2010) Childish Things. Fruitmarket Gallery, Edinburgh. ISBN 9780947912949

Hopkins, D. (2008) Dada's Boys: Masculinity after Duchamp. Yale University Press, New Haven. ISBN 0300108958

Hopkins, D. (2004) Dada and Surrealism: A Very Short Introduction. Oxford University Press, Oxford. ISBN 978-0192802545

Book Section

Hopkins, D. (2014) Duchamp's metaphysics: dust breeding. In: Hopkins, D. and White, M. (eds.) Virgin Microbe: Essays on Dada. Northwestern University Press, Evanston, IL. ISBN 9780810129399

Hopkins, D. (2013) Proto-Dada: the New York connection. In: Brooker, P., Bru, S., Thacker, A. and Weikop, C. (eds.) The Oxford Critical and Cultural History of Modernist Magazines Volume III: Europe 1880 - 1940. Oxford University Press, Oxford, UK, pp. 160-179. ISBN 9780199681303

Hopkins, D. (2012) Le domaine de Rrose Selavy : 'elevage de poussiere' et photographie aerienne. In: Dorrian , M. and Pousin, F. (eds.) Vues Aerienne: Seize etudes pour une histoire culturelle. Metis Presses, Geneva, pp. 107-116. ISBN 9782940406401

Hopkins, D. (2012) Selling Dada: 'New York Dada' (1921) and its dialogue with the European Avant-Garde. In: Bru, S., van Nuijs, L., Hjartarson, B., Nicholls, P., Orum, T. and van den Berg, H. (eds.) Regarding the Popular: Modernism, the Avant-Garde and High and Low Culture. De Gruyter, Berlin, pp. 281-292. ISBN 9783110274561

Hopkins, D. (2012) The domain of Rrose Sélavy: dust breeding. In: Dorrian, M. and Pousin, F. (eds.) Vues Aériennes: Seize Etudes pour une Histoire Culturelle. Metispresses, Geneve, France, pp. 107-116. ISBN 9782940406401

Hopkins, D. (2008) Male Poetics. In: Mundy, J. (ed.) Duchamp, Man Ray, Picabia. Tate Publishing, London, UK, pp. 76-87. ISBN 9781854377319

Hopkins, D. (2006) Re-thinking the Duchamp Effect. In: Jones, A. (ed.) A Companion to Contemporary Art Since 1945. Blackwell, Malden, Mass., pp. 215-245. ISBN 978-1405135429

Hopkins, D. (2005) Sameness and Difference: Duchamp's Editioned Readymades and the Neo Avant-Garde. In: Scheunemann, D. (ed.) Avant Garde/Neo-Avant Garde. Series: Avant-Garde Critical Studies (17). Rodopi, Amsterdam, pp. 91-107. ISBN 978-9042019256

Hopkins, D. (2004) Out of it: Drunkenness and Ethics in Rosier and Weaving. In: Perry, G. (ed.) Difference and Excess in Contemporary Art: the Visibility of Women's Practice. Wiley-Blackwell, Malden, Mass., pp. 22-45. ISBN 1405112026

Hopkins, D. (2003) Anti-Kantian Reflexes: Duchamp's New York Readymades re-examined. In: Foster, S.C. (ed.) The History of Dada: Dada New York: New World for Old. GK Hall & Co, pp. 159-174. ISBN 9780816173563

Hopkins, D. (2002) Duchamp and the Art Object: the Readymades and Anti-Aesthetic Reflex. In: Smith, P. and Wilde, C. (eds.) A Companion to Art Theory. Series: Blackwell companions to literature and culture . Blackwell, Oxford, pp. 253-264. ISBN 978-0631207627

Edited Book

Hopkins, D., (Ed.) (2006) Neo-Avant-Garde. Series: Avant-Garde Critical Studies. Rodopi, Amsterdam. ISBN 904202125X

This list was generated on Sat Aug 30 12:58:10 2014 BST.