Professor David Hopkins

  • Professor of Art History (History of Art)

telephone: 01413306330
email: David.Hopkins@glasgow.ac.uk

Research interests

Office Hour: Monday 2-3pm

Research Interests

  • Dada and Surrealism (with particular emphasis on Max Ernst and Marcel Duchamp)
  • Post-1945 art and theory (especially aspects of Neo-Dada, Fluxus, Performance Art and 1980s/90s art)
  • Aspects of twentieth century photography, particularly in relation to Surrealism and post-war American photography

 

Supervision

  • Alison Eldridge: 'Photography and Sociology: an exercise in serendipity'
  • Laurence Figgis: 'Surrealism and the uncanny in Walt Disney's Fairytale Cartoons (MPhil)
  • Catriona McAra: 'Re-reading Surrealism Through the Literature of Childhood'
  • Colin Vernall: 'The Policial in Visual Art of the Period Immediately Before and After the End of the Cold War'

Second Supervisor:

  • Kirsten Riley: 'The Semantic Image: Pictorial Semiotics and American Photorealism'
  • Mark Hobbs: 'Representations of Berlin in the 'Stability' Period of the Weimar Republic (1924-30)'
  • Katherine Tubb: 'Marta Astfalck Vietz and Friends: Sexing the City'
  • Rebecca Gordon: 'Replace, Reinstall or Restore: Material Authenticity in Contemporary Art Reconsidered'

Recently Graduated

  • Susannah Thompson: 'Scottish Art Criticism of the 1980s and 1990s'

 

Teaching

  •  MLitt, Art History: Art: Politics: Transgression: 20th-Century Avant-Gardes
  • Theories of the Avant-Garde (MLitt)
  • Readings in Duchamp (MLitt)
  • Photography and Modernism: Readings in 20th-Century Photography 1900-1970 (Junior Honours)
  • Methodology (Junior Honours)

 

 

Additional information

Administration

External Responsibilities

 

Publications

List by: Type | Date

Jump to: 2014 | 2013 | 2012 | 2010 | 2008 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001
Number of items: 20.

2014

Hopkins, D. (2014) Duchamp's metaphysics: dust breeding. In: Hopkins, D. and White, M. (eds.) Virgin Microbe: Essays on Dada. Northwestern University Press: Evanston, IL. ISBN 9780810129399

2013

Hopkins, D. (2013) Proto-Dada: the New York connection. In: Brooker, P., Bru, S., Thacker, A. and Weikop, C. (eds.) The Oxford Critical and Cultural History of Modernist Magazines Volume III: Europe 1880 - 1940. Oxford University Press: Oxford, UK, pp. 160-179. ISBN 9780199681303

2012

Hopkins, D. (2012) Le domaine de Rrose Selavy : 'elevage de poussiere' et photographie aerienne. In: Dorrian , M. and Pousin, F. (eds.) Vues Aerienne: Seize etudes pour une histoire culturelle. Metis Presses: Geneva, pp. 107-116. ISBN 9782940406401

Hopkins, D. (2012) Selling Dada: 'New York Dada' (1921) and its dialogue with the European Avant-Garde. In: Bru, S., van Nuijs, L., Hjartarson, B., Nicholls, P., Orum, T. and van den Berg, H. (eds.) Regarding the Popular: Modernism, the Avant-Garde and High and Low Culture. De Gruyter: Berlin, pp. 281-292. ISBN 9783110274561

Hopkins, D. (2012) The domain of Rrose Sélavy: dust breeding. In: Dorrian, M. and Pousin, F. (eds.) Vues Aériennes: Seize Etudes pour une Histoire Culturelle. Metispresses: Geneve, France, pp. 107-116. ISBN 9782940406401

2010

Hopkins, D., Bradley, F., Bourgeois, L., Chadwick, H., Gober, R., Hiller, S., Kelley, M., Koons, J., and McCarthy, P. (2010) Childish Things. Fruitmarket Gallery: Edinburgh. ISBN 9780947912949

2008

Hopkins, D. (2008) Male Poetics. In: Mundy, J. (ed.) Duchamp, Man Ray, Picabia. Tate Publishing: London, UK, pp. 76-87. ISBN 9781854377319

Hopkins, D. (2008) Dada's Boys: Masculinity after Duchamp. Yale University Press: New Haven. ISBN 0300108958

2006

Hopkins, D. (2006) Re-thinking the Duchamp Effect. In: Jones, A. (ed.) A Companion to Contemporary Art Since 1945. Blackwell: Malden, Mass., pp. 215-245. ISBN 978-1405135429

Hopkins, D., (Ed.) (2006) Neo-Avant-Garde. Series: Avant-Garde Critical Studies. Rodopi: Amsterdam. ISBN 904202125X

2005

Hopkins, D. (2005) Sameness and Difference: Duchamp's Editioned Readymades and the Neo Avant-Garde. In: Scheunemann, D. (ed.) Avant Garde/Neo-Avant Garde. Series: Avant-Garde Critical Studies (17). Rodopi: Amsterdam, pp. 91-107. ISBN 978-9042019256

2004

Hopkins, D. (2004) Dada and Surrealism: A Very Short Introduction. Oxford University Press: Oxford. ISBN 978-0192802545

Hopkins, D. (2004) Out of it: Drunkenness and Ethics in Rosier and Weaving. In: Perry, G. (ed.) Difference and Excess in Contemporary Art: the Visibility of Women's Practice. Wiley-Blackwell: Malden, Mass., pp. 22-45. ISBN 1405112026

2003

Hopkins, D. (2003) 'Out of it': drunkenness and ethics in Martha Rosler and Gillian Wearing. Art History, 26(3). pp. 340-363. (doi:10.1111/j.0141-6790.2003.02603002.x)

Hopkins, D. (2003) Anti-Kantian Reflexes: Duchamp's New York Readymades re-examined. In: Foster, S.C. (ed.) The History of Dada: Dada New York: New World for Old. GK Hall & Co, pp. 159-174. ISBN 9780816173563

Hopkins, D. (2003) The Politics of Equivocation: Sherrie Levine, Duchamp's 'Compensation Portrait' and Surrealism in the USA 1942-45. Oxford Art Journal, 26(1). pp. 45-68.

2002

Hopkins, D. (2002) Duchamp and the Art Object: the Readymades and Anti-Aesthetic Reflex. In: Smith, P. and Wilde, C. (eds.) A Companion to Art Theory. Series: Blackwell companions to literature and culture. Blackwell: Oxford, pp. 253-264. ISBN 978-0631207627

Hopkins, D. (2002) What if Warhol cared? Warhol, Photography and Current Art. Art Monthly, 254. pp. 1-5.

2001

Hopkins, D. (2001) Surrealism 2001. Art Monthly, 251. pp. 1-5.

Hopkins, D. (2001) Weegee and Warhol: Voyeurism, Shock and the Discourse on Criminality. History of Photography, 25(4). pp. 357-367.

This list was generated on Thu Mar 5 12:49:15 2015 GMT.
Number of items: 20.

Articles

Hopkins, D. (2003) 'Out of it': drunkenness and ethics in Martha Rosler and Gillian Wearing. Art History, 26(3). pp. 340-363. (doi:10.1111/j.0141-6790.2003.02603002.x)

Hopkins, D. (2003) The Politics of Equivocation: Sherrie Levine, Duchamp's 'Compensation Portrait' and Surrealism in the USA 1942-45. Oxford Art Journal, 26(1). pp. 45-68.

Hopkins, D. (2002) What if Warhol cared? Warhol, Photography and Current Art. Art Monthly, 254. pp. 1-5.

Hopkins, D. (2001) Surrealism 2001. Art Monthly, 251. pp. 1-5.

Hopkins, D. (2001) Weegee and Warhol: Voyeurism, Shock and the Discourse on Criminality. History of Photography, 25(4). pp. 357-367.

Books

Hopkins, D., Bradley, F., Bourgeois, L., Chadwick, H., Gober, R., Hiller, S., Kelley, M., Koons, J., and McCarthy, P. (2010) Childish Things. Fruitmarket Gallery: Edinburgh. ISBN 9780947912949

Hopkins, D. (2008) Dada's Boys: Masculinity after Duchamp. Yale University Press: New Haven. ISBN 0300108958

Hopkins, D. (2004) Dada and Surrealism: A Very Short Introduction. Oxford University Press: Oxford. ISBN 978-0192802545

Book Sections

Hopkins, D. (2014) Duchamp's metaphysics: dust breeding. In: Hopkins, D. and White, M. (eds.) Virgin Microbe: Essays on Dada. Northwestern University Press: Evanston, IL. ISBN 9780810129399

Hopkins, D. (2013) Proto-Dada: the New York connection. In: Brooker, P., Bru, S., Thacker, A. and Weikop, C. (eds.) The Oxford Critical and Cultural History of Modernist Magazines Volume III: Europe 1880 - 1940. Oxford University Press: Oxford, UK, pp. 160-179. ISBN 9780199681303

Hopkins, D. (2012) Le domaine de Rrose Selavy : 'elevage de poussiere' et photographie aerienne. In: Dorrian , M. and Pousin, F. (eds.) Vues Aerienne: Seize etudes pour une histoire culturelle. Metis Presses: Geneva, pp. 107-116. ISBN 9782940406401

Hopkins, D. (2012) Selling Dada: 'New York Dada' (1921) and its dialogue with the European Avant-Garde. In: Bru, S., van Nuijs, L., Hjartarson, B., Nicholls, P., Orum, T. and van den Berg, H. (eds.) Regarding the Popular: Modernism, the Avant-Garde and High and Low Culture. De Gruyter: Berlin, pp. 281-292. ISBN 9783110274561

Hopkins, D. (2012) The domain of Rrose Sélavy: dust breeding. In: Dorrian, M. and Pousin, F. (eds.) Vues Aériennes: Seize Etudes pour une Histoire Culturelle. Metispresses: Geneve, France, pp. 107-116. ISBN 9782940406401

Hopkins, D. (2008) Male Poetics. In: Mundy, J. (ed.) Duchamp, Man Ray, Picabia. Tate Publishing: London, UK, pp. 76-87. ISBN 9781854377319

Hopkins, D. (2006) Re-thinking the Duchamp Effect. In: Jones, A. (ed.) A Companion to Contemporary Art Since 1945. Blackwell: Malden, Mass., pp. 215-245. ISBN 978-1405135429

Hopkins, D. (2005) Sameness and Difference: Duchamp's Editioned Readymades and the Neo Avant-Garde. In: Scheunemann, D. (ed.) Avant Garde/Neo-Avant Garde. Series: Avant-Garde Critical Studies (17). Rodopi: Amsterdam, pp. 91-107. ISBN 978-9042019256

Hopkins, D. (2004) Out of it: Drunkenness and Ethics in Rosier and Weaving. In: Perry, G. (ed.) Difference and Excess in Contemporary Art: the Visibility of Women's Practice. Wiley-Blackwell: Malden, Mass., pp. 22-45. ISBN 1405112026

Hopkins, D. (2003) Anti-Kantian Reflexes: Duchamp's New York Readymades re-examined. In: Foster, S.C. (ed.) The History of Dada: Dada New York: New World for Old. GK Hall & Co, pp. 159-174. ISBN 9780816173563

Hopkins, D. (2002) Duchamp and the Art Object: the Readymades and Anti-Aesthetic Reflex. In: Smith, P. and Wilde, C. (eds.) A Companion to Art Theory. Series: Blackwell companions to literature and culture. Blackwell: Oxford, pp. 253-264. ISBN 978-0631207627

Edited Books

Hopkins, D., (Ed.) (2006) Neo-Avant-Garde. Series: Avant-Garde Critical Studies. Rodopi: Amsterdam. ISBN 904202125X

This list was generated on Thu Mar 5 12:49:15 2015 GMT.