Breadcrumbs

Dr Bjorn Heile

Profile
Publications
Teaching

Senior Lecturer in Music (Music)
Adviser of Studies (Arts College Academic and Student Administration)

telephone: +44 (0)141 330 5288
email: Bjorn.Heile@glasgow.ac.uk

Office Hours: Tuesdays, 3 - 4pm

Research Interests

New Music, experimental music theatre and contemporary jazz.

Biography

I have come to Glasgow from the University of Sussex, where I spent eight years, more than three of which as Head of Department. Before that, I was at the University of Southampton, where I got my PhD and where I spent another year as Leverhulme Special Research Fellow. My first degree is from Technische Universität Berlin (MA in Musicology and English and American Literature).

I am the author of The Music of Mauricio Kagel (Aldershot: Ashgate, 2006) and the editor of The Modernist Legacy: Essays on New Music (Aldershot: Ashgate, 2009) as well as the co-editor (with Martin Iddon) of Mauricio Kagel bei den Darmstädter Ferienkursen für Neue Musik: Eine Dokumentation (Hofheim: Wolke, 2009). I specialise mostly in New Music, experimental music theatre and contemporary jazz.

Research Projects

Currently I am directing an AHRC-funded research project on ‘The Use of Audiovisual Resources in Jazz Historiography and Scholarship: Performance, Embodiment and Mediatised Representations’ (as part of the ‘Beyond Text’ scheme). When I find the time, I want to pursue my long-term project on ‘New Music, Globalisation and the Cultural Geography of Modernism’.

Jump to: 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2004 | 2003 | 2002 | 2001 | 1998 | 1996

Number of items: 41.

2013

Heile, B. (2013) Prospero's death: modernism, anti-humanism and Un re in ascolto. In: Le Theatre de Luciano Berio: Un re in Sscolto, 28 Sep 2012, Venice, Italy.

Heile, B. (2013) Review of: K. Gloag, Postmodernism in Music. Notes, 70 (1). pp. 116-119. ISSN 0027-4380 (doi:10.1353/not.2013.0098)

Heile, B. (2013) Towards a theory of experimental music theatre: 'showing doing', 'non-matrixed performance' and 'metaxis'. In: The Oxford Handbook of Music, Sound and Image in the Fine Arts. Oxford University Press, Oxford, UK. (In Press)

2012

Heile, B. (2012) Review of: Klangperspektiven by Lucas Haselböck. Music and Letters, 93 (4). pp. 626-629. ISSN 0027-4224 (doi:10.1093/ml/gcs078)

Heile, Bjorn (2012) „Nachdenken über die Komplexität der Kulturgeografie“: Reflexion kultureller Identität im Werk von Maurici. In: Altenburg, D. and Bayreuther, R. (eds.) Musik und kulturelle Identit. Bärenreiter. ISBN 9783761818374

Heile, B. (2012) Review of: Mauricio Kagel, Zwei-Mann-Orchester: Essays und Dokumente. Fontes Artis Musicae, 59 (2). pp. 208-210. ISSN 0015-6191

Heile, B. (2012) Editorial. Twentieth-Century Music, 9 (1-2). pp. 3-10. ISSN 1478-5722 (doi:10.1017/S1478572212000175)

Heile, Bjorn (2012) Sam Hayden's Presence/Absence [CD liner notes]. Sam Hayden: Presence/Absence [CD] .

2011

Heile, B. (2011) Musical modernism, sanitized. Modernism/Modernity, 18 (3). pp. 631-637. ISSN 1071-6068 (doi:10.1353/mod.2011.0055 )

Heile, B. (2011) Jazz Icons: Heroes, Myths and the Jazz Tradition. By Tony Whyton. Cambridge, Cambridge University Press, 2010. ix + 219 pages. ISBN 978-0-521-89645-0. Popular Music, 30 (3). pp. 485-487. ISSN 1474-0095 (doi:10.1017/S026114301100033X)

2010

Heile, B. (2010) Eric Salzman and Thomas Desi, The New Music Theater: Seeing the Voice, Hearing the Body (New York: Oxford University Press, 2008), ISBN 978-0-19-509936-2 [book review]. Twentieth-Century Music, 7 (1). pp. 130-135. ISSN 1478-5722 (doi:10.1017/S1478572211000107)

Heile, B. (2010) Cook, Nicholas (John). In: Macy, L.W. (ed.) Oxford Music Online: Grove Music Online. Oxford University Press, Oxford, UK.

Heile, B. (2010) On taking leave: Mahler, Jewishness and jazz in Uri Caine’s Urlicht/Primal light. In: Levi, E. and Scheding, F. (eds.) Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond. Series: Europea (10). Scarecrow Press, Lanham, Md., USA, pp. 105-116. ISBN 9780810863798

2009

Heile, B. and Iddon, M., (Eds.) (2009) Mauricio Kagel bei den Internationalen Ferienkursen für Neue Musik in Darmstadt: Eine Dokumentation. Wolke Verlag, Hofheim, Germany. ISBN 9783936000412

Heile, B., (Ed.) (2009) The Modernist Legacy: Essays on New Music. Ashgate, Aldershot, UK. ISBN 9780754662600

Heile, B. (2009) Introduction: new music and the modernist legacy. In: Heile, B. (ed.) The Modernist Legacy: Essays on New Music. Ashgate, Farnham, pp. 1-11. ISBN 9780754662600

Heile, B. (2009) Kagel in Darmstadt: texte und kontexte. In: Aufgehobene Erschöpfung: Der Komponist Mauricio Kagel. Series: Neue Zeitschrift für Musik (214). Schott, Mainz, Germany, pp. 123-133. ISBN 9783795706869

Heile, B. (2009) Musikgeschichte als geschichtenerzählen: ein Argentinier in Darmstadt. MusikTexte, 120 . pp. 56-60. ISSN 0178-8884

Heile, B. (2009) Weltmusik and the globalization of new music. In: The Modernist Legacy: Essays on New Music. Ashgate, Farnham, UK, pp. 101-121. ISBN 9780754662600

2008

Heile, B. (2008) "Composition with film": Mauricio Kagel as filmmaker. In: Stilwell, R.J. and Powrie, P. (eds.) Composing for the Screen in the USSR and Germany: Cultural Politics and Propaganda. Indiana University Press, Bloomington, Ind., USA, pp. 106-121. ISBN 9780253349767

Heile, B. (2008) Homo ludens? Spiel und spielen im werk von Mauricio Kagel. In: Klüppelholz, W. (ed.) Vom Instrumentalen zum Imaginären Theater: Musikästhetische Wandlungen im Werk von Mauricio Kagel. Wolke Verlag, Hofheim, Germany, pp. 109-127. ISBN 9783936000467

2007

Heile, B. (2007) Avantgarde, Engagement und Autonomie: Mauricio Kagel in den sechziger Jahren. In: Jakobshagen, A., Leiniger, M. and Henn, B. (eds.) Rebellische Musik: Gesellschaftlicher Protest und kultureller Wandel um 1968. Series: Musicolonia, 1 . Dohr, Cologne, pp. 81-91. ISBN 9783936655483

Heile, B. (2007) Mauricio Kagel’s “instrumental theatre”: metaxis, framing and modes of presentation – five propositions. In: La Musique et la Scène : L’Écriture Musicale et son Expression Scénique au xxe Siècle : Actes de Colloque, Paris, le 23 et 24 Novembre 2006. Series: Collection Arts (8). L'Harmattan, Paris, pp. 183-192. ISBN 9782296044920

Heile, B. (2007) Uri Caine's Mahler: jazz, tradition and identity. Twentieth-Century Music, 4 (2). pp. 229-255. ISSN 1478-5722 (doi:10.1017/S1478572208000522)

Heile, B. (2007) W poszukiwaniu Kagela: rozważania o twórczej subiektywności
[Apocrypha and Simulacra: on Kagel’s recent work]
. Res Facta: Teksty o Muzyce Wspolczesnej , 9 (18). pp. 11-19. ISSN 0486-4689

2006

Heile, B. (2006) Recent approaches to experimental music theatre and contemporary opera [review article]. Music and Letters, 87 (1). pp. 72-81. ISSN 0027-4224 (doi:10.1093/ml/gci179)

Heile, B. (2006) The Music of Mauricio Kagel. Ashgate, Aldershot, UK. ISBN 9780754635239

2004

Heile, B. (2004) ”Transcending Quotation”: Cross-cultural musical representation in Mauricio Kagel’s Die Stücke der Windrose für Salonorchester. Music Analysis, 23 (1). pp. 57-85. ISSN 0262-5245 (doi:10.1111/j.0262-5245.2004.00195.x)

Heile, B. (2004) Darmstadt as other: British and American responses to musical modernism. Twentieth-Century Music, 1 (2). pp. 161-178. ISSN 1478-5722 (doi:10.1017/S1478572205000162)

Heile, B. (2004) Imaginäre und imaginierte Musik im Werk von Mauricio Kagel. Musik-Konzepte, 114 . pp. 83-95. ISSN 0931-3311

Heile, B. (2004) Personalia entries in appendix. In: Cook, N. and Pople, A. (eds.) The Cambridge History of Twentieth-Century Music. Series: The Cambridge history of music . Cambridge University Press, Cambridge, UK. ISBN 9780521662567

Heile, Bjorn (2004) Kagel, Bachtin und eine dialogische Theorie musikalischer Intertextualität. In: Holtmeier, L., Polth, M. and Diergarten, F. (eds.) Musiktheorie zwischen Historie und Systematik: 1. Kongress der deutschen Gesellschaft für Musiktheorie, Dresden 2001. Wissner, Augsburg. ISBN 9783896393869