Gillian Elizabeth Dyson-moss

  • PhD candidate

Theatre Studies

email: g.dyson-moss.1@research.gla.ac.uk

Research title

Is there a contemporary feminist uncanny? An investigation into the relationship between object and performer in solo performance art.

Research summary

Exploring domestic feminine uncanny: a practice-based research of object and performer in solo contemporary performance art.

Supervisors

Conferences

March 24th-26th 2017
ReROOTed. Humber Street Gallery, Hull.    
Curation of live and media art programme with FACT Liverpool, for Hull 2017 UK City of Culture .
https://www.hull2017.co.uk/whatson/events/rerooted/

November 17th 2016
Seven tables.
Research performance.
Where From Here – Third Angel Symposium, Compass Live Art Festival. Beckett University,
 
15th & 16th April 2016
Reading the Residential.
Paper.
Feminist Readings 2: Theory, practice and politics of reading today. Leeds University.
    
May 2015
Not Here.
Paper.
Memory/Sentiment/Body/Space/Object: Dialogues across and between dance and art School of Art & Design at Coventry University

November 2014
Live Art Space    
Performance Paper
for Compass Live Art. Ferens Art Gallery, Hull.

Forthcoming:

April 30th 2017
Seven Tables.
Performance.
Baltic Gateshead. For GIFT –Gateshead International Festival of Theatre.

21-23 April 2017
Invitation to present research performance/ screening tbc.
Speak, body: Art, the Reproduction of Capital and the Reproduction of Life
A two-day conference to be held at the School of Fine Art, History of Art and Cultural Studies, University of Leeds

Exhibitions:

March 25th 2017
Coming Home. Performance. Studio 11 Gallery.
For ReROOTed, Hull 217 UK City of Culture.

September 2016
Same Difference    
Performance with Victoria Gray and Nathan Walker.
As part of EquinoxtoEquinox  International programme, Beyond Belfast.

August 2016
Not At Home    
Performance.
Whitworth Gallery Manchester. Precarious Assembly.

24th March 2016
Bliss. Performance.
A-Wake. New Work Yorkshire. Live Art Bistro, Leeds.

15th March 2016
Lécher la Cuillère.
Performance.
Leeds City Library Gallery. F=Equals. Women, Visibility and Playful Acts – Unconference.

April 2015
Dormant.
Performance.
Brewing Performance. Tetley. Leeds.

March 2015.
Mattress.
Performance.
Drafting Performance. Baltic 39. Newcastle.

October 2014
Desire Path Revisited     
Performance
for Mark The Line. Konstahalle, Gothenburg, Sweden.

October 2014
Sine         
Video screening.
Mark The Line. Konstahalle, Gothenburg, Sweden.

April 2014
Seen Created    
Performance
as part of the Creating a Scene programme, Terry O’Toole Theatre, Lincoln & National Centre for Craft & Design, Sleaford.

April 2014
Shelf Life     
Exhibition Performance and Community Engagement project
for Union 105 Gallery, East Street Arts, Leeds.

June 2013
Sine         
Video Screening
for ‘Contested Bodies’; Gaslighting CMR Gallery, Cornwall.
http://gaslightingfft.tumblr.com

Teaching

Leeds Beckett University:
BA Hons Performance
MA Performance
BA Hons Dance

Additional information

Publications

Answer the Question. In Theatre, Dance and Performance Training Journal; Vol 4. Issue 1, March 2013 p122. 

Talks and Conferences 

  • March 24th-26th 2017. ReROOTed. Humber Street Gallery, Hull. Curation of live and media art programme with FACT Liverpool, for Hull 2017 UK City of Culture. www.hull2017.co.uk/whatson/events/rerooted/
  • November 17th 2016. Seven tables. Research performance. Where From Here – Third Angel Symposium, Compass Live Art Festival. Beckett University.
  • 15th & 16th April 2016. Reading the Residential. Paper. Feminist Readings 2: Theory, practice and politics of reading today. Leeds University. www.fine-art.leeds.ac.uk/
  • May 2015: Not Here. Paper. Memory/Sentiment/Body/Space/Object: Dialogues across and between dance and art School of Art & Design at Coventry University
  • Performance lecture. Live Art Hull – Compass Live Art/ Ferens Art Gallery. November 2014 http://compassliveart.org.uk/compass/news/book-now-for-live-art-space-event-ferens-gallery-hull
  • Artist’s Talk. Konstahalle, Gothenburg & Vaaland Academy, University of Gothenburg, Sweden. October 2014.
  • Interactions. Conversations on socially engaged performance practice. 
  • 19th Sept’ 2014. Mini- Symposium #1. The Bluecoat, Liverpool.
  • 8th Oct’ 2014. Mini-Symposium #2. Yorkshire Dance, Leeds.
  • November 2014. Live Art Space. Performance Paper for Compass Live Art. Ferens Art Gallery, Hull. 

http://interactionsperformance.wordpress.com

https://www.facebook.com/interactionsperformance

  • Behind the Houses. Paper for Performance Place Possibility - Ludus Symposium, University of Leeds, April 2014. http://ludusfestival.org/files/2014/02/PPP-Playing-in-liminality.pdf
  • Genius Loci. Conference Paper for Psi#18, University of Leeds. June 2012

Forthcoming

  • April 30th 2017. Seven Tables. Performance. Baltic Gateshead. For GIFT –Gateshead International Festival of Theatre. www.giftfestival.co.uk/
  • TBC, 21-23 April 2017. Invitation to present research performance/ screening tbc. Speak, body: Art, the Reproduction of Capital and the Reproduction of Life. A two-day conference to be held at the School of Fine Art, History of Art and Cultural Studies, University of Leeds. 

Exhibitions

March 25th 2017. Coming Home. Performance. Studio 11 Gallery. For ReROOTed, Hull 217 UK City of Culture.

September 2016. Same Difference Performance with Victoria Gray and Nathan Walker.
As part of EquinoxtoEquinox International programme, Beyond Belfast.

August 2016. Not At Home . Performance. Whitworth Gallery Manchester. Precarious Assembly. www.accumulationsproject.com/gillian-dyson/

24th March 2016. Bliss. Performance. A-Wake. New Work Yorkshire. Live Art Bistro, Leeds.

15th March 2016. Lécher la Cuillère. Performance. Leeds City Library Gallery. F=Equals. Women, Visibility and Playful Acts – Unconference. www.fequals.co.uk/

April 2015. Dormant. Performance. Brewing Performance. Tetley. Leeds.

March 2015. Mattress. Performance. Drafting Performance. Baltic 39. Newcastle.

October 2014. Desire Path Revisited. Performance for Mark The Line. Konstahalle, Gothenburg, Sweden.

October 2014. Sine Video screening. Mark The Line. Konstahalle, Gothenburg, Sweden.

April 2014. Seen Created Performance as part of the Creating a Scene programme, Terry O’Toole Theatre, Lincoln & National Centre for Craft & Design, Sleaford.

April 2014. Shelf Life Exhibition Performance and Community Engagement project for Union 105 Gallery, East Street Arts, Leeds.

June 2013. Sine Video Screening for ‘Contested Bodies’; Gaslighting CMR Gallery, Cornwall gaslightingfft.tumblr.com