This collection of papers is drawn from the 2014 annual conference, which consists of music composition, performance and research run by Glasgow University music department postgraduates. Sound Thought 2014 took place in Glasgow’s renowned Centre for Contemporary Arts between January 10^th and 12^th provided a platform for postgraduate music students to present their work to an academic audience and an engaged public. The conference presented research and practice from a range of sound and music disciplines in an environment which contrasts, relates, and contextualises the work. The event engaged the public with music research from across the UK and promoted understanding of the research field as well as enhancing the research environment at the university through interdisciplinary and inter-institutional collaboration. We are thankful to eSharp for collaborating with us to produce this final publication from the event.

eSharp would like to extend its thanks to Sound Thought for their input and collaboration in compiling this collection.

Lead Editors: Brianna E Robertson-Kirkland, Calum Scott, Bethan Parkes, Lynne Kelman, Debora Agazzoni

Image: Bob Rafferty

Content

The journal is split into a practice based section hosted at the Sound Thought webpages and a text based section which appears below.

Text

Practice 

Patrick Lydon

Transport Me

Leslie Deere

Untitled (west coast)

Georgia Rodgers

Late Lines remix

Richard T.C. Nelmes

Hiraeth

Iain Campbell F-W 2

In / am_avinestar_ (

Konstantinos Vasilakos

Live coding in studio: from code to tape

Neil Simpson

lls, ills, bills (extract)

Kim Walker

Thomas McConville

Shop (Cyclical Music)

First published: 27 May 2014